Catalog
A Blessing
2006, Revised 2017 | soprano/piano
Poem by James Wright
Song 2 of River of Horses
Commissioned by Jean del Santo, University of Minnesota.
Premiere recording of this cycle, with soprano Jennifer Check and pianist Warren Jones, is expected to be released December 2019 on the Naxos label.
A Brown Girl Dead
2013, rev. 2017 | countertenor/piano
Poem by Countee Cullen (1903-1946). Poems used by permission of the Amistad Research Center, New Orleans, LA. Premiere: December 13, 2013, Kerrytown Concert House, Ann Arbor, MI, with Darryl Taylor, countertenor and Kathryn Goodson, piano.
Song 1 of Sable Pride
Commissioned by Darryl Taylor.
A Letter to Emily Dickinson
2003 | soprano and piano
Poem by Annie Finch
Song 2 of Fresh Patterns
Commissioned by Steven Jordheim for Alisa Jordheim.
Errata
Some newer editions may already have these corrections.
- The last note in the RH of the piano in m. 22 should be a G natural.
- In m. 62, the voice should be marked forte.
- The poco rit. in m. 78 should extend through m. 79 and the q=184 should come in m. 80 instead.
A Letter to my Daughter
1998 | mezzo-soprano and piano trio
Poem by Anne Ranasinghe
Song 3 of Daughters
Commissioned by pianist Kirsten Taylor.
Errata
Some newer editions may already have these corrections.
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in the score, the tremolo marking was not correct -- there were 2 lines instead of 3 going across the stem of the note, which was confusing in the cello part in measures 21, 22 and 30, and similarly for all the violin measures with tremolo indication. It is now corrected.
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piano part, measures 1, 2, 3, and 4 should have an F natural in the right hand chord, not an F sharp
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in measures 140, 141, 142, 143, 145, 146 the right hand piano chord should also contain an F natural, not an F sharp.
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m. 147 - the chord should be the same as the previous chord in the right hand, namely, a C sharp, F natural, G sharp and another C sharp on top.
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m. 148, this chord is actually correct - the F sharp here really is an F sharp.
INSTRUCTIONS for converting this vocal line to a soprano line (although tessitura will still remain low)
The low Bb in m. 23 could be taken up an octave.
the B in m. 104 and first quarter D in m. 105 could be taken up an octave.
m. 120 last note and m. 121 and first two beats of m. 122 can be sung an octave up.
m. 138-139: take up an octave
A Load of Shoes
2004 | baritone or mezzo-soprano/cello/piano
Poem by Vilna Ghetto survivor Abraham Sutzkever,translated by C.K. Williams
Song 2 of The Seed of Dream
Commissioned by Music of Remembrance, Seattle, WA.
To purchase Erich Parce, Amos Yang and Mina Miller performing this song, please click here
Click here to see a YouTube video from a live performance at St. Katerine Catheral in Vilnius, Lithuania on Jan 27, 2009. The video features baritone Stein Skjervold (Norway), cellist Tom Collingwood (UK) and pianist Sonata Zuboviene (Lithuania).
Errata
Some newer editions may already have these corrections.
- Tempo should be 88 to a dotted quarter
- Piano dynamic in m. 109 should be p or mp
- cello part
- m. 36, there should be a slide up from the F to the F
- m. 122, there should be a slur on the B to the E
- the last two measures should be an octave down
A Model Ghetto
2010 | boychoir/mezzo-soprano/tenor/clarinet/violin/cello and piano
Libretto by David Mason
From the Vedem oratorio
A Party for Kevin (the pig)
2020 | soprano or mezzo-soprano and piano
Poem by Susan de Sola (1962)
Commissioned by Lyric Fest of Philadelphia for a premiere in March 2021 (either live or virtual).
A Pastoral Lament
2007 | baritone/piano or mezzo-soprano/piano or countertenor/piano
Poem by John Wood.
Song 2 of cycle And Music Will Not End
Commissioned by the Lyrica Society for Word-Music Relations.
To purchase the recording with Randall Scarlata and Lori Laitman, please click here
A Small Tin Parrot Pin
2000 | countertenor, mezzo-soprano or baritone/piano
Poem by Thomas Lux
Song 3 of Men with Small Heads
Commissioned by Dr. Adelaide Whitaker.
To purchase Randall Scarlata and Lori Laitman performing this song, click here
To purchase Andrew Garland and Donna Loewy performing this song, click here
Errata
Some newer editions may already have these corrections.
- m. 57 in the voice part, there should not be a decrescendo.
- from the pickup to m. 64 to the pickup to m. 70, it should also read "somewhat freely."
- m. 70 the piano part dynamic should be mf (not mp). In m. 72 the piano part dynamic should be mf or f. In m. 76, there should be an accent on the first piano note.
- m. 81, the indication "gentle" should appear an eighth beat sooner.
- m. 98 -101, there should be a crescendo. "I am very" in m. 100 and 101 should be loud in the voice; the piano part in m. 101 should be mf.
- The dynamics in the last 2 measures should be mf or slightly less in the voice.