The Garden

1996, rev. 2018 | soprano/alto saxophone; soprano/clarinet or soprano/bassoon

Poem by Franta Bass, a child killed in the Holocaust.

• Song 4 of I Never Saw Another Butterfly
• Song 13 of Come To Me In Dreams

In 2018, I bought back my copyright for this work, and came out with a new edition.

To purchase the PDF of I Never Saw Another Butterfly for soprano with saxophone, please click here.

To purchase the PDF of I Never Saw Another Butterfly for soprano with clarinet, please click here.

To purchase the PDF of I Never Saw Another Butterfly for soprano with bassoon, please click here.

Hard copies are available for purchase at www.classicalvocalrep.com.

For soprano with saxophone, click here.

For soprano with clarinet, click here.

For soprano with bassoon, click here. 

For recording licenses, please email me at lori@artsongs.com.

Errata

Some newer editions may already have these corrections.

• m. 19, the sax part should now have a rest on beat 2+ (on the voice "A")
• m. 25, the sax part should now have a rest on beat 3 (on the voice "when")
• there should be a cresc. from m. 35 into m. 36, and then there can be a diminuendo during the long hold.

The Old House

1996, rev. 2018 | soprano/alto saxophone; soprano/clarinet or soprano/bassoon

Poem by Franta Bass, a child killed in the Holocaust.

• Song 6 of I Never Saw Another Butterfly

In 2018, I bought back my copyright for this work, and came out with a new edition.

To purchase the PDF of I Never Saw Another Butterfly for soprano with saxophone, please click here.

To purchase the PDF of I Never Saw Another Butterfly for soprano with clarinet, please click here.

To purchase the PDF of I Never Saw Another Butterfly for soprano with bassoon, please click here.

Hard copies are available for purchase at www.classicalvocalrep.com.

For soprano with saxophone, click here.

For soprano with clarinet, click here.

For soprano with bassoon, click here. 

For recording licenses, please email me at lori@artsongs.com.

Errata

Some newer editions may already have these corrections.

• think of the opening as ghostly. The sax should almost sound like a distant fog horn.
• the beginning and end notes of m. 32 should be concert F natural.